Let's face it, no amount of perfectionism is remotely useful in the first draft. I have had way too many experiences where I slaved over the prose, research, technical detail, and plotting of a scene in a story, only to find that once I analyzed the plot after the first draft was done, it just didn't serve a useful role. Then you have to jettison it, but you don't want to because you worked so hard on it.
The interesting thing about actually "finishing" chapter 14 this week is that it is about four times longer than I had planned. It was supposed to be a transition scene between one setting and the next, the "quick road trip", so to speak. As I started writing it, however, I saw that the relative isolation of travel (in this case, in interplanetary space) was actually a good opportunity for the antagonist to ambush the protagonist and ratchet up the action while also forcing her to face some of her inner story issues head-on.
At the same time, bringing the antagonist in at this juncture makes it all the more obvious I really need to add a few more scenes to establish my antagonist's evolving motives better for the reader.
Which means changing the outline, and the schedule, because what’s coming out is good stuff that is both a logical plot development and more exciting as well.
Outline? Who needs a bloody outline. It's the first draft.
Working title: The Girl From Venus
Planned # of chapters:
Planned date of first draft completion: Jan 31st, 2016
Current chapter: 15
Finish last week's goal? Yes
This week's goal: Get at least part way into chapter 15
This month's goal: Chapter
In other news, I am sticking with the audio books. I finished The Girl in the Spider's Web in about three days and am currently "reading" Saturn Run by John Sanford and Ctein.
- Current Mood:
All over the place, yo